{"id":6892,"date":"2024-02-18T14:37:46","date_gmt":"2024-02-18T12:37:46","guid":{"rendered":"https:\/\/csmbadajoz.es\/?p=6892"},"modified":"2024-02-21T14:27:40","modified_gmt":"2024-02-21T12:27:40","slug":"concierto-de-musica-sacra-del-barroco","status":"publish","type":"post","link":"https:\/\/csmbadajoz.es\/?p=6892","title":{"rendered":"Concierto de m\u00fasica sacra del Barroco"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Este domingo 18 de febrero a las 18h (hora de Portugal) la clase de clave y de m\u00fasica vocal barroca del profesor Santiago Pereira ofrecer\u00e1n un concierto dedicado al barroco italiano.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El concierto estar\u00e1 a cargo de alumnos de clave alumnos y la clase de m\u00fasica vocal barroca. Adem\u00e1s, participar\u00e1n m\u00e1s de diez colaboradores que conforman el Ensemble vocal barroco.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Se interpretar\u00e1n motetes a cinco voces, as\u00ed como diferentes piezas de m\u00fasica sacra a solo y a varias voces y m\u00fasica para clave como tocatas y fantas\u00edas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El ensemble vocal est\u00e1 dirigido por el profesor Santiago Pereira y acompa\u00f1ado por Rodrigo Santamar\u00eda (Clave) y Mario M\u00e1rquez (Contrabajo).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El concierto ser\u00e1 en el antiguo convento de Sao Paolo, Hotel Vila Gal\u00e9, Elvas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La entrada es libre hasta completar el aforo.<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Int\u00e9rpretes<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Clave<\/strong><br>Manuel S\u00e1ez, Martina Almir\u00f3n, Samuel Lobato, Juan Pedro Gal\u00e1n, Hector Mu\u00f1oz, Candela Baena, Rodrigo Santamaria, Santiago Pereira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Solistas<\/strong><br>Esther Cachadi\u00f1a, Carmen Becerra, Paula M\u00e1rquez, Sabina Aparicio, Remedios Mu\u00f1oz, Natalia Callejero, Antra Krinicina, Pablo Belmonte, Mario Osorio, Juan Jos\u00e9 Garc\u00eda, Pedro Gragera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ensemble vocal<\/strong><br>Sopranos 1: Esther Cachadi\u00f1a, Carmen Becerra, Paula M\u00e1rquez, Sabina Aparicio<br>Sopranos 2: Remedios Mu\u00f1oz, Natalia Callejero, Carolina Chac\u00f3n, Mar\u00eda Jos\u00e9 Luengo<br>Altos: Cruces Rosado, Antra Krinicina, Mar\u00eda del Mar Escobar<br>Tenores: Pablo Belmonte, Mario Osorio, Aurelio Cacere\u00f1o, Jose Antonio Garc\u00eda<br>Bajos: Juan Jos\u00e9 Garc\u00eda, Pedro Gragera, Marco Antonio Pizarro<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Contrabajo<\/strong><br>Mario M\u00e1rquez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Direcci\u00f3n<\/strong><br>Santiago Pereira<\/p>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-68920\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Programa<\/h2><div id=\"ac-68920\" class=\"c-accordion__content\">\n<ol class=\"wp-block-list\">\n<li>Girolamo Frescobaldi (1583-1643), Canzona terza detta \u201cla Crivelli\u201d<br>Juan Pedro Gal\u00e1n<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"2\">\n<li>Adriano Banchieri (1568-1634), <em>Confitemini Deo et exaltate nomen<\/em><br>Ensemble Vocal<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"3\">\n<li>Tarquino Merula (1594-1665): Canzon \u201cla loda\u201d<br>Juan Pedro Gal\u00e1n<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"4\">\n<li>Francesco Severi (1595-1630), <em>Ecce Maria Genuit<\/em><br>Paula M\u00e1rquez, Sabina Aparicio, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"5\">\n<li>Girolamo Frescobaldi (1583-1643): Toccata quarta (1615),<br>Manuel S\u00e1ez<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"6\">\n<li>Gregorio Allegri (1582-1652), <em>Benedicta et venerabilis<\/em><br>Remedios Mu\u00f1oz, Pablo Belmonte, Juan Jos\u00e9 Garc\u00eda<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"7\">\n<li>Luigi Rossi (1598-1653), Passacaille en la menor<br>Manuel S\u00e1ez<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"8\">\n<li>Giovanni Battista Fasolo (ca1590\u20131664), <em>No, No, questo no<\/em><br>Paula M\u00e1rquez, Carmen Becerra, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"9\">\n<li>Girolamo Frescobaldi (1583-1643), Toccata en sol mayor<br>Samuel Lobato<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"10\">\n<li>Anonimo (Ca. 1650), <em>Laudate Dominum<\/em>, Pablo Belmonte<br>Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"11\">\n<li>Bernardo Pasquini (1637-1710), aria en do mayor<br>Samuel Lobato<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"12\">\n<li>Giovanni Gastoldi (1555-1609), <em>Domine ad adjuvandum me festina<\/em><br>Ensemble vocal<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"13\">\n<li>Ercole Pasquini (1521-a. 1619): Cazon francese per cembalo<br>Samuel Lobato<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"14\">\n<li>Claudio Monteverdi (1567-1642), <em>O beate vie, o felices gresus<\/em><br>Esther Cachadi\u00f1a, Carmen Becerra, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"15\">\n<li>Bernardo Storacce (1637 &#8211; ca. 1664): Corrente II<br>Candela Baena<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"16\">\n<li>Francesco Feroci (1573-1650), <em>Tuam crucem adoramus<\/em><br>Esther Cachadi\u00f1a, Natalia Callejero, Pedro Gragera, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"17\">\n<li>Tarquino Merula (1594-1665): Canzona en sol mayor,<br>Martina Almir\u00f3n<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"18\">\n<li>Giovanni Paolo Cima (1570-1622), <em>Comfitemini Domino<\/em><br>Carmen Becerra, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"19\">\n<li>Bernardo Pasquini (1637-1710), aria en re menor<br>Martina Almir\u00f3n<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"20\">\n<li>Antonio Lotti (1667-1740), Misa a cuatro en re menor, <em>Kyrie, Christe, Kyrie<\/em><br>Ensemble vocal<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"21\">\n<li> Girolamo Frescobaldi (1583-1643) Balleto primo e corrente<br>Martina Almir\u00f3n<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"22\">\n<li>Paolo Lorenzani (1640-1713), <em>Peccavi super n\u00famero<\/em><br>Esther Cachadi\u00f1a, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"23\">\n<li> Bernardo Pasquini (1637-1710), Toccata en sol menor,<br>H\u00e9ctor Mu\u00f1\u00f3z<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"24\">\n<li>Gaetano Venezieano (1656-1710), <em>Adjuva nos Deus<\/em><br>Antra Krinicina, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"25\">\n<li>Introducci\u00f3n al <em>Regina Coeli<\/em><br>Rodrigo Santamar\u00eda<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"26\">\n<li>Bonifacio Grazziani (1605-1664), <em>Regina coeli letare, Alleluia<\/em><br>Paula M\u00e1rquez, Santiago Pereira<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"27\">\n<li>Bernardo Pasquini (1637-1710): Toccata en do mayor<br>H\u00e9ctor Mu\u00f1oz<\/li>\n<\/ol>\n\n\n\n<ol class=\"wp-block-list\" start=\"28\">\n<li>Marco da Gagliano (1582-1643), <em>Lumen ad revelationem gentium<\/em><br>Ensemble vocal<\/li>\n<\/ol>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Este domingo 18 de febrero a las 18h (hora de Portugal) la clase de clave y de m\u00fasica vocal barroca del profesor Santiago Pereira ofrecer\u00e1n un concierto dedicado al barroco italiano. El concierto estar\u00e1 a cargo de alumnos de clave alumnos y la clase de m\u00fasica vocal barroca. Adem\u00e1s, participar\u00e1n m\u00e1s de diez colaboradores que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6900,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-6892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiciones"],"_links":{"self":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/6892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6892"}],"version-history":[{"count":3,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/6892\/revisions"}],"predecessor-version":[{"id":6899,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/6892\/revisions\/6899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/media\/6900"}],"wp:attachment":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}