Audiciones del aula de clave del profesor Santiago Pereira.<\/p>\n\n\n\n
Viernes, 20 de mayo de 2022. Aula 25<\/p>\n\n\n\n
Jacques Champion de Chambonni\u00e8res (c. 1601 – 1672)<\/strong> Luc\u00eda Garc\u00eda-Pelayo<\/p>\n\n\n\n Henry Purcell (1659-1695)<\/strong> Mario Adame<\/p>\n\n\n\n Johann Sebastian Bach (1685-1750)<\/strong> Candela Baena<\/p>\n\n\n\n J. Haydn (1732-1810)<\/strong> V\u00edctor S\u00e1nchez<\/p>\n\n\n\n Georg Friedrich H\u00e4ndel (1685-1759)<\/strong> Javier Jim\u00e9nez<\/p>\n\n\n\n Domenico Scarlatti (1685 – 1757)<\/strong> Carla Moreno<\/p>\n\n\n\n Johann Sebastian Bach<\/strong> Ana V\u00e1zquez<\/p>\n\n\n\n Joseph Haydn<\/strong> H\u00e9ctor Mu\u00f1oz<\/p>\n\n\n\n Johann Sebastian Bach<\/strong> Domenico Scarlatti<\/strong> Manuel D\u00edaz<\/p>\n\n\n\n Domenico Scarlatti<\/strong> Javier Cubero<\/p>\n\n\n\n Louis A. Dornel (1685-1765)<\/strong> Fernando Alejandre<\/p>\n\n\n\n Fran\u00e7ois Couperin (1668 – 1733): <\/strong>2me livre de pi\u00e8ces, Ordre n\u00ba 6<\/em> Rodrigo Santamaria<\/p>\n\n\n\n Jacques Duphly (1715-1789)<\/strong> Ra\u00fal Salgueiro<\/p>\n\n\n\n John Blow (1649-1708)<\/strong> Carmen Noja<\/p>\n\n\n\n Georg Bohm (1661-1733)<\/strong> Daniel Juber\u00edas<\/p>\n\n\n\n Franc\u00f3is Couperin (1668-1733)<\/strong> Andr\u00e9s Mart\u00edn<\/p>\n\n\n\n Johann Sebastian Bach (1685-1750)<\/strong> Miguel Mu\u00f1oz<\/p>\n\n\n\n Johann Sebastian Bach<\/strong> Sabina Aparicio<\/p>\n\n\n\n Johann Sebastian Bach<\/strong> Blanca Travieso<\/p>\n\n\n\n Georg Friedrich H\u00e4ndel (1685-1759)<\/strong> Jorge P\u00e9rez del Bosque<\/p>\n\n\n\n Domenico Scarlatti (1685 – 1757)<\/strong> Samuel Asensio<\/p>\n\n\n\n Jean Philippe Rameau (1683-1754)<\/strong> Laura Rioja<\/p>\n","protected":false},"excerpt":{"rendered":" Audiciones del aula de clave del profesor Santiago Pereira. Viernes, 20 de mayo de 2022. Aula 25 I \u2013 10:30 a 11:45 h Jacques Champion de Chambonni\u00e8res (c. 1601 – 1672)Suite en re majeur – Allemande \u201cLa loureuse\u201d \u2013 Sarabande \u2013 Gigue Luc\u00eda Garc\u00eda-Pelayo Henry Purcell (1659-1695)Suite en la menor Z663 – Prelude \u2013 Almand […]<\/p>\n","protected":false},"author":1,"featured_media":3860,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiciones"],"_links":{"self":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3534"}],"version-history":[{"count":11,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3534\/revisions"}],"predecessor-version":[{"id":3862,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3534\/revisions\/3862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/media\/3860"}],"wp:attachment":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Suite en re majeur<\/em>
– Allemande \u201cLa loureuse\u201d \u2013 <\/em>Sarabande \u2013 <\/em>Gigue<\/em><\/p>\n\n\n\n
Suite en la menor Z663<\/em>
– Prelude \u2013 <\/em>Almand \u2013 <\/em>Corant \u2013 <\/em>Saraband<\/em><\/p>\n\n\n\n
Preludio en re mayor BWV 936<\/em>
Preludio en mi menor BWV 938<\/em><\/p>\n\n\n\n
Sonata en re mayor, Hob 16\/4<\/em>
– Moderato \u2013 <\/em>Menueto & Trio (da capo)<\/em><\/p>\n\n\n\n
Suite en re menor HWV 437 (1733)<\/em>
– Allemande \u2013 <\/em><\/strong>Courante \u2013 <\/em>Sarabande \u2013 <\/em>Gigue<\/em><\/p>\n\n\n\n
Sonata en re mayor K 34, Larghetto<\/em>
Sonata en la menor K 149, Allegro<\/em><\/p>\n\n\n\n
Preludio y fuga en sib mayor,<\/em> del clave bien temperado [I]<\/em><\/p>\n\n\n\n
Sonata en la Mayor, Hob 16\/12<\/em>
– Andante<\/em> – Menuet & Trio (da capo)<\/em> – Finale [Allegro molto]<\/em><\/p>\n\n\n\n
Preludio y fuga en do mayor el clave bien temperado I<\/em><\/p>\n\n\n\n
Sonata en do mayor K 159, Allegro<\/em><\/p>\n\n\n\n
Sonata en re mayor K 161, Allegro<\/em>
Sonata en re mayor K 415, Pastorale, Allegro<\/em><\/p>\n\n\n\n
Pieces de Clavecin, 3me Suite<\/em>
– La affetueuse \u2013 La Marquise \u2013 Le chant de l’allo\u00fcete \u2013 L’eveill\u00e9e<\/em><\/p>\n\n\n\n
– Les Langueurs tendres \u2013 <\/em>Les Barricades Mist\u00e9rieuses \u2013 <\/em>La Bersan<\/em><\/p>\n\n\n\n
Pi\u00e8ces de Clavecin 1re livre, Suite en re menor<\/em>
– Allemande \u2013 Rondeau \u2013 La Cazamayor<\/em><\/p>\n\n\n\nII -12 a 13h<\/h2>\n\n\n\n
Suite n\u00ba 2 en re menor (1696)<\/em>
– Ground \u2013 <\/em>Rondo \u2013 <\/em>Menuet<\/em><\/p>\n\n\n\n
Suite en fa mayor<\/em>
– Allemande \u2013 <\/em><\/strong>Courante \u2013 <\/em>Sarabande 1&2 \u2013 <\/em>Gigue<\/em><\/p>\n\n\n\n
L\u2019art de toucher le clavecin<\/em>
– Premier Pr\u00e9lude \u2013 <\/em>Deuxieme Pr\u00e9lude<\/em><\/p>\n\n\n\n
Preludio y fuga en do menor,<\/em> del clave bien temperado [II]<\/em><\/p>\n\n\n\n
Preludio y fuga en sol menor,<\/em> del clave bien temperado [II]<\/em>
Fuga en mi mayor, WTK II<\/em><\/p>\n\n\n\n
Preludio y fuga en si menor,<\/em> del clave bien temperado [I]<\/em><\/p>\n\n\n\n
Suite en fa mayor (1720), HWV 427<\/em>
– Largo \u2013 Allegro [Fuga]<\/em><\/p>\n\n\n\n
Sonata en re menor K 1, Allegro<\/em>
Sonata en re menor K 41, Andante Moderato [Fuga]<\/em><\/p>\n\n\n\n
Pi\u00e8ces de Clavecin (1724)<\/em>
[Suite en mi menor] Allemande – Gigue en Rondeau – 2me gigue – Le Rappel des Oiseaux<\/em><\/p>\n\n\n\n