{"id":3416,"date":"2022-04-07T15:22:00","date_gmt":"2022-04-07T15:22:00","guid":{"rendered":"https:\/\/csmbadajoz.es\/?p=3416"},"modified":"2022-04-03T16:04:58","modified_gmt":"2022-04-03T16:04:58","slug":"audicion-de-quinteto-de-viento-y-musica-de-camara","status":"publish","type":"post","link":"https:\/\/csmbadajoz.es\/?p=3416","title":{"rendered":"Audici\u00f3n de quinteto de viento y m\u00fasica de c\u00e1mara"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Audici\u00f3n de quinteto y m\u00fasica de c\u00e1mara<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sal\u00f3n de actos de la Residencia Universitaria Hern\u00e1n Cort\u00e9s<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7 de abril de 2022, 20:00<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Programa<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R. Muczynski<\/strong>: <em>D\u00fao para clarinete y flauta, Op.24, n.\u00ba 1<\/em> (9&#8242;)<em><br><\/em>I. Andante Sostenuto &#8211; II. Allegro risoluto &#8211; III. Moderato &#8211; IV. Allegro ma non troppo &#8211; V. Andante molto &#8211; VI. Allegro<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>H. Villa-Lobos<\/strong>: <em>Choros n.\u00ba 2, para flauta y clarinete (1924)<\/em> (3&#8242;)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regina \u00c1lvarez, flauta<br>Juan Carlos P\u00e9rez, clarinete<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>J. Brahms (arr. A. Franckenpohl)<\/strong>: <em>Three chorale preludes<\/em> (5&#8242;)<em><br><\/em>1. Lo, how a rose ever blooming<br>2. O, how blest are ye whose toils are ended<br>3. Deck thyself, dear soul<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Brass trio<\/strong><br>Abraham S\u00e1nchez, trompeta<br>Guillermo Galindo, trompa<br>Gerson Ferrer, tromb\u00f3n<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>W.A. Mozart (arr. G\u00fcmther Weigelt)<\/strong>: <em>Divertimento N\u00ba 8, K.V. 213<\/em> (12&#8242;)<em><br><\/em>Allegro spiritoso &#8211; Andante &#8211; Mennuett &#8211; Molto allegro<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>J. Strauss II (arr. Michael y Peter Totzauer)<\/strong>: <em>Annen Polka, Op. 137 <\/em>(4&#8242;)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regina \u00c1lvarez, flauta<br>Juan Escobar, oboe<br>In\u00e9s Cruzado, clarinete<br>Alberto Briongos, fagot<br>Guillermo Galindo, trompa<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>F. Farkas<\/strong>: <em>Antiguas danzas h\u00fangaras<\/em> (12&#8242;)<em><br><\/em>Intrata &#8211; Lento &#8211; Danza delle scapole &#8211; Allegro quasi Scherzo \u2013 Saltarello<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Natalia Medina, flauta<br>Juan Escobar, oboe<br>Alejandro J. Santander, clarinete<br>Alberto Briongos, fagot<br>Guillermo Galindo, trompa<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A. Barthe (arr. George Waln)<\/strong>: <em>Passacaille<\/em> (3&#8242;)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Natalia Medina; flauta<br>Juan Escobar, oboe<br>Juan Carlos Vacas, clarinete<br>Alberto Briongos, fagot<br>Guillermo Galindo, trompa<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>E. Granados (arr. Clark McAlister): <\/strong><em>A la cubana<\/em> (4&#8242;)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Natalia Medina, flauta<br>Juan Escobar, oboe<br>In\u00e9s Cruzado, clarinete<br>Alberto Briongos, fagot<br>Guillermo Galindo, trompa<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audici\u00f3n de quinteto y m\u00fasica de c\u00e1mara Sal\u00f3n de actos de la Residencia Universitaria Hern\u00e1n Cort\u00e9s 7 de abril de 2022, 20:00 Programa R. Muczynski: D\u00fao para clarinete y flauta, Op.24, n.\u00ba 1 (9&#8242;)I. Andante Sostenuto &#8211; II. Allegro risoluto &#8211; III. Moderato &#8211; IV. Allegro ma non troppo &#8211; V. Andante molto &#8211; VI. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiciones"],"_links":{"self":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3416"}],"version-history":[{"count":4,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3416\/revisions"}],"predecessor-version":[{"id":3421,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/3416\/revisions\/3421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/media\/3422"}],"wp:attachment":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}