El pr\u00f3ximo martes d\u00eda 18 de mayo a las 11:30h tendr\u00e1 lugar una nueva audici\u00f3n del aula de saxof\u00f3n del CSMB. En esta ocasi\u00f3n estar\u00e1 protagonizada por Lidia Cenador que interpretar\u00e1 las obras de su pr\u00f3ximo recital fin de carrera (obras de F. Schmitt, L. E. Larsson, E. Denisov y J. Torres) y de los alumnos Jorge Gallego, David Samino, Laura Alfaro y Ra\u00fal Garc\u00eda (interpretar\u00e1n obras de C. Debussy, H. Tomasi, P. Creston y E. Denisov respectivamente). Estar\u00e1n acompa\u00f1ados al piano por el profesor Eduardo Moreno.<\/p>\n\n\n\n
Debido a la situaci\u00f3n actual y al protocolo COVID-19 el acceso al centro est\u00e1 restringido a profesores, alumnos y personal no docente del CSMB.<\/p>\n\n\n\n
1\u00aa parte: LIDIA CENADOR<\/strong><\/p>\n\n\n\n Florent Schmitt (1870-1958)<\/strong> L\u00e9gende Op. 66 (1918)<\/p>\n\n\n\n Lars Erik Larsson (1908-1986)<\/strong> Concerto Op. 14 (1934) Jes\u00fas Torres (1965)<\/strong> \u00c9podo (2000) <\/p>\n\n\n\n Edison Denisov (1929-1996)<\/strong> Sonata (1970) 2\u00ba parte: JORGE GALLEGO, DAVID SAMINO, LAURA ALFARO Y RA\u00daL GARC\u00cdA<\/strong><\/p>\n\n\n\n Claude Debussy (1862-1918)<\/strong> Rapsodia (1919)<\/p>\n\n\n\n Henri Tomasi (1901-1971)<\/strong> Concerto (1949) Paul Creston 1906-1985)<\/strong> Sonata Op. 19 (1935) Edison Denisov (1929-1996)<\/strong> Sonata (1970) El pr\u00f3ximo martes d\u00eda 18 de mayo a las 11:30h tendr\u00e1 lugar una nueva audici\u00f3n del aula de saxof\u00f3n del CSMB. En esta ocasi\u00f3n estar\u00e1 protagonizada por Lidia Cenador que interpretar\u00e1 las obras de su pr\u00f3ximo recital fin de carrera (obras de F. Schmitt, L. E. Larsson, E. Denisov y J. Torres) y de los […]<\/p>\n","protected":false},"author":1,"featured_media":2168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audiciones"],"_links":{"self":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/2167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2167"}],"version-history":[{"count":1,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/2167\/revisions"}],"predecessor-version":[{"id":2169,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/posts\/2167\/revisions\/2169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=\/wp\/v2\/media\/2168"}],"wp:attachment":[{"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csmbadajoz.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
I Allegro molto moderato<\/em>
II Adagio<\/em>
III Allegro scherzando<\/em><\/p>\n\n\n\n
I Allegro<\/em>
II Lento<\/em>
III Allegro moderato<\/em><\/p>\n\n\n\n
I Andante et allegro<\/em>
II Final<\/em><\/p>\n\n\n\n
I With vigor<\/em>
II With tranquility<\/em>
III With gaity<\/em><\/p>\n\n\n\n
I Allegro<\/em>
II Lento<\/em>
III Allegro moderato<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"